The work of the painter tends to represent pictorially Colour/Light, iridescence and incandescence. Conscious that the matter will not enable her to arrive at certain levels of heightened luminosity, she searches for the way to portray what already exists in her vision. When she discovers that photography can help her in her search and partially rewards her strong aspiration to express Colour/Light, then she begins to experiment with “painting with Light”.

The images which spring up are the result of an interior world which is straining to reveal itself. They are not accidental, the eye finds what the mind aspires to. It is an adventure to use the macro system to penetrate beyond the limit posed by the eye, and to discover beautiful, illuminated, harmonic, though invisible, forms.

It is like discovering an extremely imaginary, fairy-tale world with unreal beings and landscapes.

It is like opening the doors to a mysterious, elusive universe which induces us to ask endless questions about space, time and their relationship with our conscience.

The watercolours are also part of this interior research into Colour/Light. This technique allows for highly accentuated degrees of transparency and brightness. The colour here comes from a state of mind. It is searched for in balance, harmony and spiritual aspiration in order to represent, with its own style, a subtle world, close to everyone yet not so evident.

Many of these works have arisen as a result of listening deeply and attentively to classical music masterpieces.